The cymbals crash, And the dancers walk, With long silk stockings And arms of chalk, Butterfly skirts, And white breasts bare, And shadows of dead men Watching ’em there.
Shadows of dead men Stand by the wall, Watching the fun Of the Victory Ball. They do not reproach, Because they know, If they’re forgotten, It’s better so.
Under the dancing Feet are the graves. Dazzle and motley, In long bright waves, Brushed by the palm-fronds Grapple and whirl Ox-eyed matron, And slim white girl.
Fat wet bodies Go waddling by, Girdled with satin, Though God knows why; Gripped by satyrs In white and black, With a fat wet hand On the fat wet back.
See, there is one child Fresh from school, Learning the ropes As the old hands rule. God, how the dead men Chuckle again, As she begs for a dose Of the best cocaine.
“What did you think We should find,” said a shade, “When the last shot echoed And peace was made?” “Christ,” laughed the fleshless Jaws of his friend, “I thought they’d be praying For worlds to mend,
“Making earth better, Or something silly, Like whitewashing hell Or Piccadilly. They’ve a sense of humour, These women of ours, These exquisite lilies, These fresh young flowers!”
“Pish,” said a statesman Standing near, “I’m glad they can busy Their thoughts elsewhere! We mustn’t reproach ’em. They’re young, you see.” “Ah,” said the dead men, “So were we!”
Victory! Victory! On with the dance! Back to the jungle The new beasts prance! God, how the dead men Grin by the wall, Watching the fun Of the Victory Ball.
Alfred Noyes, The Victory Ball. 1920.
The Victory Ball read by Charles Dance and Rupert Evans-
https://youtu.be/pFHd10nhaLY This outstanding anthro work is from Piti Yindee, who certainly knows his classic cartoons. https://youtu.be/GlRoFTsWD6Y Awesome. https://www.youtube.com/@PitiYindee https://youtu.be/HJI3QrmrIXU
“I see nobody on the road,” said Alice. “I only wish I had such eyes,” the King remarked in a fretful tone. “To be able to see Nobody! And at that distance, too! Why, it’s as much as I can do to see real people, by this light!” All this was lost on Alice, who was still looking intently along the road, shading her eyes with one hand. “I see somebody now!” she exclaimed at last. “But he’s coming very slowly—and what curious attitudes he goes into!” (For the messenger kept skipping up and down, and wriggling like an eel, as he came along, with his great hands spread out like fans on each side.) “Not at all,” said the King. “He’s an Anglo-Saxon Messenger—and those are Anglo-Saxon attitudes. He only does them when he’s happy. His name is Haigha.” (He pronounced it so as to rhyme with “mayor.”) “I love my love with an H,” Alice couldn’t help beginning, “because he is Happy. I hate him with an H, because he is Hideous. I fed him with—with—with Ham-sandwiches and Hay. H...
Sinbad and The Old Man of the Sea. One of my favorite books ever, I was given this when I was a child. I still have it, and it started a lifelong love for the artist, Gustav Tenggren. Tenggren worked for Disney at one point in his life, notably Bambi and Pinocchio. Is this awesome or what? Aladdin. Ali Baba and the Forty Thieves. Sinbad in the Valley of the Snakes. Scheherazade. The Serpent Queen. The Serpent Queen. Sinbad. Morgan about to save her master. Ali Baba and the Forty Thieves. I've never been the same after reading this. Tales From The Arabian Nights Margaret Soifer and Irwin Shapiro, Illustrated by Gustaf Tenggren. Golden Press, 1957. His illustrations for the Poky Littel Puppy made it the number one best seller of a kid's book of all time. https://ia902800.us.archive.org/6/items/PokyLittlePuppy/Poky%20l...
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