The cymbals crash, And the dancers walk, With long silk stockings And arms of chalk, Butterfly skirts, And white breasts bare, And shadows of dead men Watching ’em there.
Shadows of dead men Stand by the wall, Watching the fun Of the Victory Ball. They do not reproach, Because they know, If they’re forgotten, It’s better so.
Under the dancing Feet are the graves. Dazzle and motley, In long bright waves, Brushed by the palm-fronds Grapple and whirl Ox-eyed matron, And slim white girl.
Fat wet bodies Go waddling by, Girdled with satin, Though God knows why; Gripped by satyrs In white and black, With a fat wet hand On the fat wet back.
See, there is one child Fresh from school, Learning the ropes As the old hands rule. God, how the dead men Chuckle again, As she begs for a dose Of the best cocaine.
“What did you think We should find,” said a shade, “When the last shot echoed And peace was made?” “Christ,” laughed the fleshless Jaws of his friend, “I thought they’d be praying For worlds to mend,
“Making earth better, Or something silly, Like whitewashing hell Or Piccadilly. They’ve a sense of humour, These women of ours, These exquisite lilies, These fresh young flowers!”
“Pish,” said a statesman Standing near, “I’m glad they can busy Their thoughts elsewhere! We mustn’t reproach ’em. They’re young, you see.” “Ah,” said the dead men, “So were we!”
Victory! Victory! On with the dance! Back to the jungle The new beasts prance! God, how the dead men Grin by the wall, Watching the fun Of the Victory Ball.
Alfred Noyes, The Victory Ball. 1920.
The Victory Ball read by Charles Dance and Rupert Evans-
https://youtu.be/pFHd10nhaLY This outstanding anthro work is from Piti Yindee, who certainly knows his classic cartoons. https://youtu.be/GlRoFTsWD6Y Awesome. https://www.youtube.com/@PitiYindee https://youtu.be/HJI3QrmrIXU
“I see nobody on the road,” said Alice. “I only wish I had such eyes,” the King remarked in a fretful tone. “To be able to see Nobody! And at that distance, too! Why, it’s as much as I can do to see real people, by this light!” All this was lost on Alice, who was still looking intently along the road, shading her eyes with one hand. “I see somebody now!” she exclaimed at last. “But he’s coming very slowly—and what curious attitudes he goes into!” (For the messenger kept skipping up and down, and wriggling like an eel, as he came along, with his great hands spread out like fans on each side.) “Not at all,” said the King. “He’s an Anglo-Saxon Messenger—and those are Anglo-Saxon attitudes. He only does them when he’s happy. His name is Haigha.” (He pronounced it so as to rhyme with “mayor.”) “I love my love with an H,” Alice couldn’t help beginning, “because he is Happy. I hate him with an H, because he is Hideous. I fed him with—with—with Ham-sandwiches and Hay. H...
Atomic Bunny, Oct 1958. This was published by Charlton, and is a continuation of Atomic Rabbit after it's creator Al Fago left. It folded in 1960, not surprising due to all the changes in the rabbit and the direction of the comic. Here, Atomic Bunny has morphed into a Bugs look alike and there is nothing superhero about this, in fact it's a pretty lame gag and I hope Atomic beats the living hell out of the dipshit pink rabbit, yes I do, and then I hope he makes Pink Rabbit shove those turnips up his ass one by one while wearing that bucket of paint upside down on his foolish head. Considering that Atomic Bunny is eating a carrot shaped turnip that is dripping with wet paint does not argue well for his intelligence, and Pinky will probably skate. From the look on Pink's face he already has one of those turnips up his ass, and it's vibrating furiously. ...
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